Wednesday, 1 April 2015

Portraiture - High Key - Media Make-Up Shoot

Media Make-Up Assessment Shoot


I was asked to photograph some media make-up models, to assist the make-up artists with their upcoming assessments.  This challenged me hugely as I had never had to pose non-models unknown to me before.  I introduced myself and had a discussion with the make-up artist prior to the shoot to ascertain their requirements, to find out if there was anything in particular they wanted me to do/not to do, etc.  This was the start of a professional working relationship.  I was relied on fully, to pose the model and make her feel at ease.  The make-up artist requested simple, high key, landscape, portrait, full length and portrait/head & shoulders photographs, of which I was able to provide all.  Here are a few examples of my images:

IMAGE 1

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For this shoot, I used 2 x soft boxes – one as a main light and the other as a fill light – placed in front of the model, to the corners, at 45 degrees.  I used the wireless flash trigger and a white background.  No tripod was used. My camera settings were ISO 100, Auto WB, 1/160 sec, F/8.  In photoshop, I increased the brightness and contrast a little, and used ‘smart sharpen’ to inject some additional detail into the hair, jewellery and staff.

If I did this shoot again, I would’ve increased the brightness on the soft boxes.  For example, they were set between 4 & 5, but I would increase them both a little to around 5 or 5 ½.  I also would’ve used a tripod to ensure a sharper image.  If I’d had more time, I would’ve also liked to try this against a darker background and using a RIM light to make the model stand out from the background.  

These are other photographs from the same media make-up shoot.  I used the same light set up, camera settings and minor Photoshop enhancements:



I placed the model further away from the background in this image to ensure there were no shadows – and it was successful! The Staff she is holding, blocks the light a little though so there is a slight shadow across her face.  In future, I could use a Reflector the other side to combat this. 



I focussed more on the forehead detail and eyes in this image, which has thrown some of the hair at the back a little out of focus, giving it a delicate blurry depth of field effect.  I have managed to capture catch lights in her eyes, giving her a less ‘soul-less’ look. 





Images of the details were required for this assessment so I captured this image of the model’s hands framing the necklace.  This shows the detail in the jewellery, the nails, some of the hair, and body paint. I think the slight angle gives this image some additional interest.